"It is not the critic who counts. Not the man who points out how the strong man stumbled or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs and comes short again and again; who knows the great enthusiasms, the great devotions; who spends himself in a worthy cause."
03 May 2010
The plot, although a little cliche, is nonetheless engaging, following the story of Jim, a commitment-phobic man in his early thirties who is threatened with losing his girlfriend. It suffers, however, from that age-old scourge of the comedian-writer; being interspersed with one-liners, which may be hilarious at the time, but seriously interrupt the progression of the plot. It is a problem that may have been resolved, had the writer been an unknown, but perhaps there wasn't a dramaturge available who could confront Peter Helliar with the awful truth that some of these one-liners should have been ditched to protect the integrity of the narrative arc.
Admirable performances from Brendan Cowell, Yvonne Strahovski, Peter Dinklage and even Peter Helliar himself (who struggled to keep a straight face at times) couldn't save the compromised script.
Australian film went through a period of producing only one genre of film. It was a cross between comedy and drama that worked very well for the period we were in, but our industry has matured, and our films are now more complex, influenced by a wider range of international cinema, and reflecting a more diverse Australia. I Love You Too does none of this. It harks back to a naive and self-centred Australia from sometime in the 1990s. It has some redeeming qualities, most notably its engaging plot, but it just doesn't come together as a unified work, and is sorely disappointing.