"It is not the critic who counts. Not the man who points out how the strong man stumbled or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs and comes short again and again; who knows the great enthusiasms, the great devotions; who spends himself in a worthy cause."
-Theodore Roosevelt

15 April 2009

Slumdog Millionaire

I've always been moderately fond of Danny Boyle's films. I wouldn't call myself a fan, I just notice his name on the end of films that I like quite regularly. Slumdog Millionaire is different. I loved it, and was shocked to see his name flash up at the end!

Although the plot is somewhat convoluted with a bit of ambiguity in its chronology, the story is intriguing, and although I went when I was kind of focused on something else (namely a meal at my favourite Lygon Street cafe), I was engaged quickly, and the film held my attention until the end.
There are some great performances from some child actors, and spectacular performances from the adult cast, but the star of this film is definitely the cinematography. From the slums of Mumbai to the Taj Mahal to the beauty of India's countryside, even the most dire of circumstances is presented beautifully, composed with a delicacy that is not common in films about this subject matter.
There aren't many films that successfully depict the horrible realities of our world and retain a sense of possibility and optimism, but Slumdog Millionaire does this beautifully. I suppose I will have to reassess my opinion of Danny Boyle. If he makes another film as good as this one!

08 April 2009

Stomp

How much money do you think you could make with your party tricks? The cast of Stomp have developed a series of party tricks (and they're great party tricks), and have put them together for our viewing pleasure.

Apparently this happens every year, and the TV ad has been saying that Stomp 09 is fresher, faster and funnier, which is just as well because I got bored halfway through, and if it was any slower or less amusing I may not have sat it out. There are moments throughout that are indeed fast and funny (I'm not sure whether they're fresh, you'll have to ask the marketers what that means), and it was a fun night, but it left a lot to be desired.

Most of the audience loved it, three or four of the thousand people there even thought it deserved a standing ovation, and the raucous applause elicited an encore better than the show itself. Some children in the audience elicited some golden responses with their laughter, and the show would be excellent for a family, if you want to blow your entire stimulus payment on it, that is.

I don't want to be mean; the cast is talented, responsive to the audience, perfectly synchronised, and very entertaining; but I just can't help thinking that these are just glorified party tricks. They are great party tricks, they really are, but I just can't help wondering why no one pays $80 to come and see my party tricks. Actually, no: if their party tricks are worth eighty bucks a view, mine would only be worth eighty cents, but it still makes me wonder, where's my eighty cents?

So, the next time you're at a party and someone starts banging on a garbage bin, remember to give them their eighty cents. Apparently they're worth it.