Director, Steven Mitchell Wright, says that "this work is very simply about a group of actors choosing to perform William Shakespeare's Hamlet in the face of the apocalypse, the end, death, finality, loss, whichever it is for you". And while there is an element of simplicity in its performance, there is nothing simple about the way these actors face their apocalypse. Rather, there is an understanding and intense depiction of the very human emotions of fear, anticipation and determination.
Shakespeare's Hamlet is the perfect partner for this story, and its broad plot arc has been deftly interwoven with these actors' story. The cast delivers Shakespeare's dialogue with aplomb, and I may well have wanted to see them simply do Hamlet, were it not for the fascinating development of the actors' characters. As the cast counts down to the apocalypse, their own fears, insecurities and personalities render some of Shakespeare's most profound characters dull by comparison with these performers, whose experiences resonate spectacularly in La Mama's confined space.
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A side note to this experience was the chance to see Canberran Lloyd Allison-Young performing outside of Canberra, which is why it won out over other shows I might have gone to see on the one night I was in Melbourne during the Fringe.
I would have thought him far too young to portray a convincing Hamlet, but now I'd really love to see his rendition of the character in the context of Shakespeare's story.
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